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Life, Death, & Prizes

by Fingerless

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  • Grab this album, lovingly packed in this now-long defunct format.

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  • Record/Vinyl + Digital Album

    Lovely 7" wax pressed by Zenith in Melbourne with full colour fold-over sleeves.

    Artwork by Jenny Fox.

    Includes unlimited streaming of Life, Death, & Prizes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 8 Fingerless releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Yes Today [Single], Cry a Little [Single], Life, Death, & Prizes, More To Come [Single], Outhere, Does It Really Though? [EP], Organ Control, and 5:18. , and , .

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1.
Hello you've been forgetting something Blood flows Into an open hand Skin folds hey we've all been there Take your time but here comes a big surprise You're gonna die You're gonna die Hello you've been regretting nothing Dressed to kill Delineate the sand Classify according to their contents Water rises and here comes a big surprise You're gonna die You're gonna die Red or blue You're gonna die You're gonna die
2.
Truth 04:58
Eye for an eye You for a you Myopic eyes They are true They are true They are true Lie for a lie Sleep for a sleuth Myopic eyes They are truth They are truth They are truth Deny through the night Make your excuse Smoke dances high Day is truth Day is truth Day is
3.
Yesterday, I came back from Scarborough Yesterday, I walked back home Eyes of flame, my girl back in Scarborough Tears of rain, my girl at home Scratching at your window Don’t you want to know how far So today, I’ll go back to Scarborough Cards away, I can’t stay home Gentle sway, when I came back from Scarborough No more rain, my girl’s last song Scratching at your window Don’t you want to know how far
4.
I can see the steam rising off our backs I’ve gotta get out of here and get my money back I can feel the sun’s burning all our backs I’ve gotta get out of here and get my baby back I can see a storm’s coming to fill mud cracks time to get out of here and get my money back I can feel the first drops on our backs time to get out of here and get my baby back
5.
Lay me down to rest Need to look my best When I'm on my own Weighing on my chest Lest I be alone The more that you know Now under arrest Though not made of stone Are you like the rest Are you like the rest Leaf of stone Leaf of stone Are you not impressed Like a leaf of stone When you look your best Lay me down to rest Like a leaf of stone As a palimpsest As a palimpsest Leaf of stone Leaf of stone
6.
If I reflected you, I wouldn't want at all I'd stall and borrow your thoughts I'd fall in and out again I'd fall out of love Don't feed back My sympathetic love If I knew what to do, I wouldn't reflect at all I'd smash and shatter your thoughts I'd fall in and out again I'd fall out of love Don't feed back My sympathetic love
7.
Tell me how it makes you feel Prick my fingers It feels red Burn my hands upon what you said Scar my feet on the thorn bed Listen to me I hear darkness, it sounds red Burn my hands but now the sun’s dead Wash my feet in the flames red Listen to me Tell me how it makes you feel Blind is the confidence in my head Lock away the thoughts that you read You said confidence is blinding Listen to me I hear lies and they sound red Burn all my words with the thorn bed Wash my soul in the flames red Listen to me Tell me how it makes you feel Now I know how it feels I want to compare the feelings
8.
I lock out the night Draw the curtains closed Hold the windows tight Hope the latches hold See reflective light These unspoken words ring Through my mind Forget your fright For it won’t last I’m told Sort out your mind Let the night unfold Fuzz and delight And trips into the cold Fool my mind

about

This is a genre-bending album about, well, life, death, and other prizes. Featuring futuristic sci-fi folk pop about AI and human emotions, medieval-inspired love and death ballads, glam rock stompers about planned obsolescence, and psych freak-outs. Fingerless have been building towards this release since the first single taken off this album, 2019’s ‘Tambourine Addict Who Plays the Drugs.’

Life, Death, & Prizes, Fingerless’ 4th album, is the first to be "properly" recorded in a studio with a full band. Cheeseman’s project started performing as a band (rather than a solo project) back in 2017, and this album is the result of countless jams and performances around Meanjin/Brisbane between 2017 and 2019.

When recording started, Fingerless consisted of a fresh-faced 4 piece band of friends (Marc, Warwick, Jonny, and Zara - two of which were married), and an open world full of possibilities. By the time they had finished recording the final overdubs in early 2021 only 3 members remained (Marc, Warwick, and Jonny) - divorce had shaken the band to its foundations, and of course the brave new post-2020 world was rapidly unfolding in unexpected ways, which caused many delays in finishing the album. After Zara and Jonny split up, Zara moved to Melbourne and has been heavily involved in the preparation of this album from her new home - including recording some final overdubs while she was back in Brisbane on a brief visit. Thankfully Zara and Jonny are still very close friends, and she’ll be joining the band up on stage when they head down to Melbourne for some shows in the near future.

Most of the album was recorded live in the studio with Darek Mudge (Screamfeeder, Tired Lion, Violent Soho) at Black Box Recording. There were two songs, however, that the band recorded themselves, ‘Sympathetic Love’ and ‘You Are Going to Die’, this helped the band lean into the idiosyncratic themes and instrumentation of those songs (I’m talking pre-AI text-to-speech programs, I’m talking cow bell, I’m talking sitar, I’m talking cheap Casio toy keyboards!).

For the studio recordings, the band opted to record all of the songs live with no click track to try to capture the energy of a live performance. To this end, they kept overdubbing to a minimum, only adding the essentials like acoustic guitar, backing vocals and extra hand percussion. One notable exception to this was the backwards effect that you can hear throughout the Mazzy Star/Brian Jonestown-esque ‘Leaf of Stone’, where the band stole (their words) a production technique from the Beatles’ tune ‘Blue Jay Way’. "When the Beatles’ team finished mixing that recording…” reflects frontman Marc Cheeseman, “it was copied to a second tape, hooked up two machines, and they placed the two copies of the song on each machine. They played one forwards and one backwards, fading the backwards one in and out randomly, and recorded the outcome to a third tape! We were able to reproduce this whole process digitally which was a bunch of fun and sounds ethereal and adds a kind of ghostly ambience to the song."

The artwork for the album’s front cover features a family portrait photo of Zara Bennet (synths/keys/vocals/percussion) when she was about 4 years old. You can interpret this any way you want, but to me it screams “why am I here!!!?? What’s happening!!??” which is basically what the whole album is about, really…

credits

released July 20, 2023

Marc Cheeseman - guitar, vocals, sitar, keys, percussion
Warwick Epiha - bass, backing vocals
Zara Bennett - keys, backing vocals, percussion
Jonny Pickvance - drums, backing vocals, percussion

Produced by Darek Mudge and Marc Cheeseman
Recorded by Darek Mudge and Marc Cheeseman
Mixed by Darek Mudge
Mastered by Matthew Gray and Bryce Moorhead

Cover art by Greg Reason (photographer unknown)

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about

Fingerless Brisbane, Australia

Fingerless have been sitting down at the banquet since 2009, sampling small plates of acid-folk in oyster sauce, deep-fried rock ‘n’ roll, steamy soundscapes, dried and salted neo-psychedelia and fresh electronica.

Washed down with an ice cold medieval folk ballad and maybe a dungeon-synth liqueur or two, the Meanjin based band can’t quite put their finger on their favourite flavour just yet.
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